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20052021

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Biography

Ari Larissa Heinrich received the Master's in Chinese Literature from Harvard University, and the PhD from Berkeley in Chinese Studies.  He is the author of The Afterlife of Images:  Translating the Pathological Body Between China and the West (Duke, 2008) and Chinese Surplus:  Biopolitical Aesthetics and the Medically Commodified Body (Duke, 2018), and co-editor of Embodied Modernities:  Corporeality, Representation, and Chinese Cultures (Hawai'i, 2006, with Fran Martin), Queer Sinophone Cultures (Routledge, 2013, with Howard Chiang), and a special issue of the journal Screen Bodies on Queer Sinofuturisms (Berghahn, 2020, with Howard Chiang and Ta-wei Chi).  Ari is also the translator of Qiu Miaojin's Last Words from Montmartre (New York Review Books, 2014) and The Membranes (Columbia, 2021), among other works.  Ari received an ARC Future Fellowship in 2012, and a Creative Capital/Andy Warhol Foundation Arts Writers Grant in 2019. 

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