"We need a word that includes memory but embraces all the other ways of knowing a past," wrote Greg Dening, in advocating the notion of a "poetic for histories": culturally specific forms of knowledge of the past that embrace "reminiscence, gossip, anecdote, rumour, parable, report, tradition, myth... saga, legend, epic, ballad, folklore, annal, chronicle" (1991, 348-349). To this list we might want to add a range of other performative and sensory modes of engaging-con-sciously or unconsciously-with the past, including dancing, gardening, carving, smell, sound, and touch. Drawing on a large but diffuse body of global literature, and illustrating my argument with material from local historians, I consider how we might set about describing these historicities, or cultural logics of temporal process, in an Oceanic setting: how are they expressed, how might we come to understand them, and how are they transformed over time and through encounter with other historicities?.
|Journal||The Contemporary Pacific|
|Publication status||Published - 2014|